-ACTIVITY WARM UP 20/20 BW -READ: https://munsell.com/color-blog/color-relationships-film/ Answer Questions: 1. What does the author mean when she reflects that students were only using color as local color in their storyboards? 2. What are the three basic symbolic points for color? 3. True or False: Stories that pair key emotional touch points symbolically with a delineated color palette, should maintain those relationships to best connect the emotional drivers of the film and the viewer.
-ACTIVITY (KHAN overhead and handout and 20/20 color)
-Review and Create a Color board Analysis/Palette Document *(Scene-Narrative-Symbolism-Palette Analysis) (example) -Explore ADOBE COLOR to Create a series of Palettes to include in the above Analysis Additional Tutorial from Brown Bag Films Article regarding a study on John Lasseter
ASSIGNMENT 4: Color boards Requirements: – You choose a standard Format – open the provided template in Adobe Photoshop – Each student must create a minimum of 20 boards and a maximum of 30 boards – Name each file as: Lastname_A4_000.jpg, Lastname_A4_001.jpg, etc. – No lines of action and camera movement – No notes or text on color boards – Minimal stroke to be used, mostly colored
There are no shortages of books, videos, companies and more that explore the structure, process and behind the scenes to successful storyboarding. Studiobinder is one of those resources that focuses not only on educational offerings, but it's used primarily as an organization product. (and they offer a free trial)